Tag Archives: spring birds

LOON SONG

THEY SAY SPRING ADVANCES fifteen miles a day, about the pace of a steady walk, which explains why I could experience three springs that year. The first was in March, in Ohio, on the shore of Lake Erie’s Maumee Bay, where I stayed in a small cabin near the bay to watch new grass sprouting in farmers’ fields and the broad-winged hawks that congregate in kettles high overhead. I counted a couple hundred broad-wings one day, which I thought was spectacular, but a local birder said they sometimes numbered in the tens of thousands—entire galaxies of spiral formations spinning slowly northward with the wind. In the marshes and woodlots were other early migrants: red-winged blackbirds, yellow-rumped warblers, ruby- and golden-crowned kinglets, and a brown thrasher that perched on the topmost branch of a tree beside my cabin one morning and performed tireless variations on the theme of “Here I am, look at me!”

Three weeks later, as I drove home, those same birds were showing up 300 miles north, in the northern Lower Peninsula of Michigan. The snow had finally left our yard and the woods out back, and forsythia and trillium were starting to blossom. Suddenly trout were feeding on mayflies in the rivers, morels were popping beneath the aspens, and butter-butts and kinglets were flitting among the bare branches of the trees.

Then it was time for the third spring, so I drove north again, crossed the Mackinac Bridge to the Upper Peninsula, and followed a network of gravel roads until I banged up against the shore of Superior. I had the key to a friend’s cabin, but I had to shovel the snow away before I could reach the door. The ice was off the big lake—it was brilliant blue water to the horizon—but stranded on the beach were remnant icebergs spangled with sand. I looked up and saw two dozen broad-winged hawks circling high overhead, waiting for a south wind to carry them across the lake to Ontario.

Spring is the most complicated season. It arrives pulling a clanging train of machinery, and we realize that the name we’ve given it is all wrong. It doesn’t spring, it saunters—two steps forward, one back—and often it retreats like a child in a sulk and we have to wait a few days or a week before it returns.

One morning I stepped from my friend’s cabin on Lake Superior and was met by the first warm wind of the season.  A familiar call sounded high overhead and I looked up to see a loon hurtling past, bound for Canada. Then came another, and another, each trailing its ululating warble.

It was the clarion announcement, the emblem of the wild north, a song that stirs primordial urges in many of us who cherish unspoiled places. It’s the music of mist-shrouded lakes deep in the spruce forest, a boreal timelessness that is perhaps best heard from a canoe. Coming from the sky above Superior it was this and more: the sound of wildness in transit, winging north with the lengthening days of this season of hope.

WHAT’S LIGHTING US UP: KEITH TAYLOR’S GLADNESS

I WAS A FAN of Keith Taylor’s nature essays and poetry for years before we met, so it’s probably not surprising that I liked him from the first time we shook hands. It was at the first Bear River Writers Conference, on Walloon Lake, Michigan, in 2000, and I liked him so much that I decided we would be friends for life, whether he wanted it or not.

We’ve been pals ever since, and my appreciation for his work just grows stronger. Every Keith Taylor book is extraordinary for its openness, candor, and clarity, and his observations are always sharp and fresh. Consider this, from his new chapbook, Fidelities:

GREEN LIGHT

just for a few weeks, from full summer

into September, on quiet days,

warm, humid but not hot—and the light

above the river turns green, like leaves,

reeds, water weeds or water itself

on its gently inexorable

slide through hills to the blue lakes beyond.

 

Keith travels widely, reads everything, and is one of those people who thinks deeply about the world and our place in it, so I’m always interested in what’s on his mind. I asked him to tell us what he’s been enthusiastic about lately, and his response is pure Taylor:

Oh, I wanted it to be something big! A big book that I could feel was changing my life even as I read it. Proust or Wittgenstein or something! Or something cool out there in the popular culture—a song, a movie, hell, I’d settle for a television show—so I could establish some kind of cultural cred. Or an adventure, undertaken or just planned. Australia, maybe. South Africa. Uzbekistan. Somewhere. Or a poem, one of those that came out of nowhere and just picked up the world, moved it a quarter of an inch, and changed everything (“We must have/the stubbornness to accept our gladness in the ruthless/furnace of this world.” Jack Gilbert, “A Brief for the Defense.”). I wanted it to be my rage at oppression and prejudice, but this week I just feel tired. I’m sorry. I’ll be outraged by something next week, I’m sure.

But, no, all I got was one tiny little bird, barely two inches long in a beat-up city park next to a freeway and a factory. A Northern Parula Warbler. A blue-gray back broken around the shoulders by a greenish haze. Two shades of yellow on the upper breast separated by a deep orangish/red band. The lower belly a pure white. It’s song some musical chips followed by a buzzing call. You can see and hear it here: http://www.allaboutbirds.org/guide/Northern_Parula/id.

It landed just above my head in an invasive honey-suckle early Monday morning, just before a rain shower. It was on it’s way from somewhere in the tropics to its breeding range in the Upper Peninsula or north of Superior. It sang and sang, right into the rain. I had to leave and it was still singing.

And its light has filled me for the past two days. I’m sorry but that’s it. One little bird I saw when I was alone.

—Keith Taylor’s most recent chapbook is Fidelities: A Chronology (http://www.alicegreene.com/publications/fidelities-a-chronology/). He teaches a little at the University of Michigan.