Tag Archives: Jerry Dennis

Lake Michigan in Winter

(January, Cathead Point, near the tip of Michigan’s Leelanau Peninsula)

IT CHANGES EVERY MOMENT. It’s a thousand lakes, changing faces with every shift in wind and light – flurried by offshore wind, white-capped in squalls, colored flannel gray or pearl white or stormy black beneath the winter clouds, a dozen blues when the sky is blue.

There’s a contemporary Japanese poet who writes a diary on a slab of stone instead of paper, with water instead of ink. He writes a word, and a moment later it evaporates. This, he suggests, is the true record of a life.

*

We go to the shore in search of elemental things. Probably it’s just coincidence that the elemental things we find there—sand, sun, wind, and waves—correspond exactly to the four elements of the ancient Greeks and Hindus—earth, fire, air, and water. More to the point is that we need elemental things to keep our primitive senses in working condition. We need periodically to look, listen, scent, taste, and feel our way through the world, if only for the relief of not having to think our way through.

It’s not always an easy task. Time coats us in natural increase, accruing layers as if we were snowballs rolling down a hill. Jobs, families, friends, houses, cars, dogs, our health– just maintaining it all is full-time work. Add the bulging files of information, the gunnysacks of mistakes and the duffels of misjudgments and the barrow-loads of memories, habits, regrets, opinions, prejudices, principles, laws, and codes collected in a lifetime, and you can see the problem. We carry as much as we can, and the rest we stack around us until all our routes to the outside are blocked. Even when we find our way out we’re wearing too many layers of tuxedoes and zoot suits and cardigans, Icelandic woolens, parkas, longjohns, thermal socks, etc. We’re strong but we grow weary of lugging that Collyer-brothers’ accumulation everywhere we go. We bend beneath the load, our backs about to break, groaning as we push our heaped-up grocery carts through the streets.

It’s too much. Now and then we need to strip down to the naked flame at our core so we can remember what it feels like to be alive. Most of what we carry is baggage anyway—just adornment and vanity, ballast and deadweight. It’s the crap the pioneers threw out along the Oregon Trail.

*

After lunch I walked to the crest of the dune and looked out at the lake. Even from that small elevation, maybe fifty feet, the water’s clarity was startling. From a boat, on a day like this, with the sun overhead, you can lean over the side and see boulders on the bottom thirty feet down.

The pale shallows stepped into blue depths. The offshore sandbars were there, a hundred yards apart, each deeper than the one before, with bands of increasingly darker blue between them. Beyond the last bar a steep drop-off into very deep water turned the water midnight blue.

Lake Michigan. My lake, I often think, because I grew up near it and because so many in my family settled along its shores. So much water, in a body so large they say that the Netherlands could fit inside, with enough room left over for several New England states. It is the second largest of the Great Lakes in volume, and third, after Superior and Huron, in surface area. It is the only one of the five to be contained entirely within the United States.

Most of the 1,640 miles of shore is sandy. Some of that shore, especially around the southern end, through Indiana and Illinois, is lined with industry. Around the top of the lake in Wisconsin and Michigan are limestone bluffs and rocky strands. But most of the rest is blond sand beaches that are among the loveliest in North America. Wind, waves, and ice have shoved that sand into the most extensive network of freshwater dunes on the planet. They reach their apogee about thirty miles south of Cathead Point at Sleeping Bear Dunes —the most beautiful place in America, according to “Good Morning, America,” and I don’t disagree—but they extend nearly unbroken for three hundred miles along the eastern and southern shores of the lake, from northern Michigan nearly to Chicago. A few scattered dunes are found also along the Wisconsin shore and at the top of the lake, in the Upper Peninsula of Michigan, but they lack the dimensions of those that face the prevailing winds.

A friend who lives part of every year in the West once told me that Lake Michigan plays the same role in the Midwest that the mountains do in Montana. That’s true for all five lakes. Like the Rockies, you can see them from miles away, forming a backdrop that is also a felt presence, always there, looming in our lives. They are depositories of geological and historical power that shape the land and the culture to themselves. We orient to them and are drawn to them and take for granted that their presence and the weather they create will affect our travels and alter our daily plans.

The lakes have always been the most prominent shaper of the character or “spirit of the Great Lakes region. The stronger the spirit of a place, the farther it resonates beyond its borders. Alaska, Texas, Vermont, and Maine all have it in abundance. So do large geographical regions such as Appalachia, the Canadian Maritimes, and the swamplands of Louisiana. A mythological portrait of a place needs to be only approximately accurate to give outsiders an idea of what it is like, or enough of an idea, anyway, to inspire interest in it. That might explain in part why people who have never visited the Everglades or the Arctic Wildlife Refuge are willing to write letters to congressmen and donate money to protect them.

The Great Lakes have not had that advantage. Their mythology is not clearly defined. It was once very clear, a living mythology, inhabited by people, wolf, moose, and bear, but the stories that passed around campfires for thousands of years were drowned out by European invaders wielding their own stories of Jesuit martyrs, French voyageurs, Paul Bunyans of the logging camps, mariners of the inland seas, and up-by-the-bootstraps giants of industry. Most of those stories have now, in turn, lost their power and have not been replaced. Enduring mythologies tend to accrue to dominate features of a landscape. Louisiana has swamps; New England, hardscrabble hills; Montana, big sky. But the Great Lakes are too varied. No representative image fits. The water and dunes and rocks and cities on the shore are lost in a haze of homogeneity. Surely that is why those who have never stood beside the big lakes find it so difficult to imagine them.

 

(From The Windward Shore: A Winter on the Great Lakes, by Jerry Dennis)

 

WHAT A GLORIOUS MISTAKE A TITLE CAN BE

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The new edition, published by Big Maple Press.

Glenn Wolff’s and my “forgotten” book has just appeared for the first time in paperback. The Bird in the Waterfall: A Natural History of Oceans, Rivers, and Lakes was published in hardcover in 1996 by HarperCollins Publishers, on the heels of our national bestseller, It’s Raining Frogs and Fishes. We were scheduled to launch Bird in the summer of ’96 with a national tour, and everyone had high expectations for success. Then came bad news.

HarperCollins was in trouble. Profits were down and the corporate suits weren’t happy about it. They fired the upper managers, then herded hundreds of authors out the door and locked it behind them. The accountants had decided it was cheaper to cancel books than to publish them, so they canceled them by the train-load.

The books already in production, including The Bird in the Waterfall, were published but they were orphaned. Our tour was cancelled, as were all other plans for promotion. There was barely enough money in the budget to send out a few copies for  review. Glenn and I did the best we could, setting off on a road tour at our own expense that took us from New York to Boston, Cleveland, Ann Arbor, Chicago, Milwaukee, and Minneapolis. Two printings of the hardcover sold out quickly, but HarperCollins declined to print more. They also declined to bring it out in paperback.

The original HarperCollins edition from 1996.
The original HarperCollins edition from 1996.

Over the years Glenn and I turned down several offers from publishers to reprint the book, including one from an Australian firm that wanted to dismantle it and repackage it as a coffee-table book, mostly because we didn’t think they “got” the book and would do it justice. Early this year our agent released it as an ebook and print-on-demand paperback under his firm’s imprint, DCA, and made it available in all the usual online places.

That was fine, but we wanted more. For years Glenn and I had dreamed of giving The Bird in the Waterfall the care that we felt it deserved. So we decided to do the job ourselves. Our first and most brilliant act was to team up with the multi-talented Gail Dennis, who has thirty years experience designing books, magazines, and other publications, and who presented us with many ideas of how to make the book better, from its cover and interior design, to its editorial content, to its title. The three of us formed a small press dedicated to publishing our works in special editions that will be available only in independent bookstores. With Gail as Creative Director and Glenn and I doing art and words, we’ve just released a spanking-new version of  The Bird in the Waterfall. In a couple weeks we’ll release the new indie-store edition of It’s Raining Frogs and Fishes. Next year we’ll publish an original new book about wonders of the animal kingdom. You won’t find any of those editions at Amazon or Barnes and Noble or Walmart. I’ll have more to say about Big Maple Press in a few days. For now I want to talk about the title.BigMaplePress-logo-verysmall

Titles are never easy. All my books have required dozens or hundreds of attempts. Often the right one has come in an ah-ha moment, but only after much effort. A Place on the Water and The Windward Shore arrived that way. The title “The Living Great Lakes” was the first to occur to me for that book, yet for some reason I went on to consider and reject more than 100 others before circling back to the original.

But no title has been as tough as The Bird in the Waterfall. During the three years that Glenn Wolff and I worked on the book we constantly fired ideas back and forth. One difficulty was the scale of the project. We wanted to include the entire panoply of water, from the molecular structure to the hydrological cycle; from the behavior of waves, currents, and tides to legends and myths and aquatic wildlife. How could we fit all that into one title?

In the end, with the publisher pressing us for a decision, we fell back on the title of one of our favorite chapters, about the American dipper and its habit of nesting near and even behind waterfalls. Our editor was okay with our choice, but he had doubts. Some friends advised us against it. But we were exhausted and out of time.

Now I’m fond of the title in the same way that I’m fond of the warped floors of our old farmhouse. For the new edition we’ve changed the subtitle to Exploring the Amazing World of Water, which is truer to the spirit of the book than the original. But we’re standing by the old title.

Not everyone thinks it’s a good idea. My favorite criticism so far was posted by a reader on Amazon.com:

“Great Book Hidden by a Lousy Title” by Mark Thrice (5 stars)

“I don’t know what led to the title, ‘The Bird in the Waterfall,’ but it was a misfortune. This book is powerful and teaches in a way that is compellingly interesting. It has nothing to do with birds and little to do with waterfalls. It’s about water and how water keeps our world going—a finite substance—there can never be more water than there is right now on our planet. Trees are slow-motion fountains of water. Get the book— there is so much more in it. Don’t make the mistake of judging this book by its title.”

Do you agree with Mark Thrice? Or should we have gone with Hydrologica?

How about Tidal Waves and Sea Monkeys?

Or should we have settled for Aquamania, Aquatica, Planet Aquatica, Aquatic Planet, Aquatic Oddities, or An Aquatica of the Mind?

Or From Spring to Sea, From Creek to River to Sea, From the River to the Sea, From Sea to Shining Tributary?

I can go on: A World of Water, Abundant Waters, The Spirit of Water, Water on Earth, The Lay of the Water, Sustained by Water, Taking the Waters, Overflowing With Water, Brimming With Water, or Water/Water.

Liquid Planet, Waves on the Planet, The Water Planet.

The Watery Realm, Realms of Water, Realms of Blue, Flow of Blue, Currents of Blue, World of Blue, Blue World, The Water is Blue, Vast Blue Waters, Beyond These Yellow Sands, Between These Yellow Sands, Between These Yellow Shores,Beyond the Deep Blue Sea, Beyond the Ocean’s Rim, Filled to the Brim, Beyond the Deep.

The First Element, Beyond the Shore, Between the Shores.

Over the Waterfall, Behind the Waterfall, Through the Waterfall, The Spirit in the Waterfall.

Prevailing Waters, The Tide is High, Water Tripping, Down in the Flood, Tsunami Dreams, A Mighty Swell, The Great Wave of Kanagawa, The Surface of the Deep, Riffles and Runs, Downstream, Water is Life, Water Itself, Whispering Brook/Bellowing Sea, Waves as Big as Mountains, The Shape That Water Takes, Aquatic Marvels, Water Wonders, It’s a Wet Wet World, All the Rivers Run to the Sea, Defining Water, Pondering Water, The Counsel of Water, Mindful of Water, Mind Full of Water, Literal Water, Neptune’s Realm, Neptune’s Kingdom, River Fast/Ocean Deep, Sargasso Dreams, Past Raging Rocks, The Book of Water, Of Water, About Water, Essential Water, Hands Filled With Water, Views of the Water, Pond to River to Sea, A Fondness for Water, Wade Until Dark.

And, finally, my absolute favorite, which Glenn faxed to me at 3 a.m. as we were finishing the book. It must have emerged from one of his fever dreams: I Think We’re All Hosers on This Boat Where Turtles Dream and Dolphins Dance.

The ebook edition published by DCA.

The ebook edition published by DCA.